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This is the first history of drawing during the years of impressionism and its immediate aftermath. Quoting freely from the letters and journals of the artists themselves, the main text starts from the impressionists’ antipathy towards academic conventions and their enthusiasm for alternative practices in the art of Delacroix and Daumier. The author discusses the demands that were made of drawing by the impressionists’ pursuit of effects of light and movement. Their quest after an art that might realize the most fugitive sensations prompted new and diverse techniques.