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This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe, and the best version of the Titanic disaster. Later Baker re-emerged as a major director of science-fiction (Quatermass and The Pit) and horror films (Asylum). Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a classical director and the transformation of the British film industry in the 1950s.