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Terence Davies has made some of the most innovative, harrowing, and hauntingly lyrical films of the contemporary era. This book-length study of his work combines detailed analysis of all his films with a investigation of key filmic issues of time and memory, identity and selfhood, and the nature of literary adaptation, as well as a previously unpublished interview with Davies himself. The book demonstrates that Davies’s films successfully subvert traditional division between ‘popular’ culture and ‘art-house’ cinema.