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During the fall of 1888, Vincent van Gogh and paul Gauguin lived and worked together in the town of Arles, in Provence. Until now the Arles period has been interpreted in the light of the temperamental differences between the two painters, culminating in the famous incident in which van Gogh cut off part of his left earlobe to spite Gauguin. In ‘Van Gogh and Gauguin’, Debora Silverman reinterprets their vexed collaboration – concentrating on their very different religious backgrounds, she traces the quest of each painter to discover a modern form of sacred art to fill the void left by the traditional Christian system that he rejected but could never fully escape, as a man or as an artist. Both artists emerge in startling new ways, as the paintings they produced – before, during, and after Arles – are given close readings and new meanings.